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Cezanne and I

Cezanne and I

Drama · History · 2016

They loved each other with the ardor of thirteen-year-old boys. Rebellion and curiosity, hopes and doubts, girls and dreams of glory – they shared it all. Paul was rich, Emile poor. They went skinny-dipping, drank absinthe, starved, only to overeat. Sketched models by day, caressed them by night... Now, Paul is a painter and Emile a writer. Glory has passed Paul by. But Emile has it all: fame, money, the perfect wife, whom Paul once loved. They judge each other, admire each other, confront each other. They lose touch, meet up again, like a couple who cannot stop loving each other.

Movie details

Cezanne and I

2016 Drama · History 1h 57m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

They loved each other with the ardor of thirteen-year-old boys. Rebellion and curiosity, hopes and doubts, girls and dreams of glory – they shared it all. Paul was rich, Emile poor. They went skinny-dipping, drank absinthe, starved, only to overeat. Sketched models by day, caressed them by night... Now, Paul is a painter and Emile a writer. Glory has passed Paul by. But Emile has it all: fame, money, the perfect wife, whom Paul once loved. They judge each other, admire each other, confront each other. They lose touch, meet up again, like a couple who cannot stop loving each other.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Cezanne and I?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Danièle Thompson

Written by

Danièle Thompson

Guillaume Gallienne

Guillaume Gallienne

Paul Cézanne

Guillaume Canet

Guillaume Canet

Emile Zola

Alice Pol

Alice Pol

Alexandrine Zola

Déborah François

Déborah François

Hortense Cézanne

Sabine Azéma

Sabine Azéma

Elisabeth Cézanne

Gérard Meylan

Gérard Meylan

Louis-Auguste Cézanne

Isabelle Candelier

Isabelle Candelier

Emilie Zola

Court is in session

Put Cezanne and I on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.