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Séraphine

Séraphine

History · Drama · 2008

The tragic story of French naïve painter Séraphine Louis aka Séraphine de Senlis (1864-1942), a humble servant who becomes a gifted self-taught painter. Discovered by prominent critic and collector William Uhde, she came to prominence between the wars grouped with other naïve painters like Henri Rouseau only to descend into madness and obscurity with the onset of the Great Depression and World War II.

Movie details

Séraphine

2008 History · Drama 2h 5m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

The tragic story of French naïve painter Séraphine Louis aka Séraphine de Senlis (1864-1942), a humble servant who becomes a gifted self-taught painter. Discovered by prominent critic and collector William Uhde, she came to prominence between the wars grouped with other naïve painters like Henri Rouseau only to descend into madness and obscurity with the onset of the Great Depression and World War II.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Séraphine?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Martin Provost

Written by

Marc Abdelnour · Martin Provost

Yolande Moreau

Yolande Moreau

Séraphine Louis, dite Séraphine de Senlis

Ulrich Tukur

Ulrich Tukur

Wilhelm Uhde

Anne Bennent

Anne Bennent

Anne-Marie Uhde

Geneviève Mnich

Geneviève Mnich

Mme Duphot

Nico Rogner

Nico Rogner

Helmut Kolle

Adélaïde Leroux

Adélaïde Leroux

Minouche

Françoise Lebrun

Françoise Lebrun

La mère supérieure

Court is in session

Put Séraphine on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.