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Jane Eyre

Jane Eyre

Drama · Romance · 1996

After a bleak childhood, Jane Eyre goes out into the world to become a governess. As she lives happily in her new position at Thornfield Hall, she meets the dark, cold, and abrupt master of the house, Edward Rochester. Jane and her employer grow close in friendship and she soon finds herself falling in love with him. Happiness seems to have found Jane at last, but could Rochester's terrible secret be about to destroy it forever?

Movie details

Jane Eyre

“The passionate tale of forbidden secrets!”

1996 Drama · Romance 1h 53m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

After a bleak childhood, Jane Eyre goes out into the world to become a governess. As she lives happily in her new position at Thornfield Hall, she meets the dark, cold, and abrupt master of the house, Edward Rochester. Jane and her employer grow close in friendship and she soon finds herself falling in love with him. Happiness seems to have found Jane at last, but could Rochester's terrible secret be about to destroy it forever?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Jane Eyre?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Franco Zeffirelli

Written by

Hugh Whitemore · Franco Zeffirelli

William Hurt

William Hurt

Rochester

Charlotte Gainsbourg

Charlotte Gainsbourg

Jane Eyre

Joan Plowright

Joan Plowright

Mrs. Fairfax

Anna Paquin

Anna Paquin

Young Jane Eyre

Geraldine Chaplin

Geraldine Chaplin

Miss Scatcherd

Billie Whitelaw

Billie Whitelaw

Grace Poole

Maria Schneider

Maria Schneider

Bertha

Court is in session

Put Jane Eyre on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.