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Memoir of War

Memoir of War

Drama · 2017

In the last days of the Nazi-occupied France, writer Marguerite Duras awaits the return of her husband, Robert Antelme, arrested for being a Resistance fighter and then deported, while she maintains a tense relationship with her ambiguous lover and a dangerous game with a French collaborationist. Even when the Liberation arrives, she must still endure the unbearable pain of waiting.

Movie details

Memoir of War

“From the life of Marguerite Duras”

2017 Drama 2h 6m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

In the last days of the Nazi-occupied France, writer Marguerite Duras awaits the return of her husband, Robert Antelme, arrested for being a Resistance fighter and then deported, while she maintains a tense relationship with her ambiguous lover and a dangerous game with a French collaborationist. Even when the Liberation arrives, she must still endure the unbearable pain of waiting.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Memoir of War?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Emmanuel Finkiel

Written by

Emmanuel Finkiel

Mélanie Thierry

Mélanie Thierry

Marguerite Duras

Benoît Magimel

Benoît Magimel

Pierre Rabier

Benjamin Biolay

Benjamin Biolay

Dionys Mascolo

Grégoire Leprince-Ringuet

Grégoire Leprince-Ringuet

François Morland

Emmanuel Bourdieu

Emmanuel Bourdieu

Robert Antelme

Anne-Lise Heimburger

Anne-Lise Heimburger

Mme. Bordes

P

Patrick Lizana

Beauchamp

Court is in session

Put Memoir of War on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.