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Topsy-Turvy

Topsy-Turvy

Drama · Music · Comedy · 1999

For nearly a decade, Gilbert and Sullivan’s collaborations have delighted the English people. But in 1884, as a London heat wave cuts into the theater trade, their latest work, "Princess Ida", receives lukewarm press. In an effort to reconcile their creative differences and drawing inspiration from Japanese culture, they went on to create the hit opera "The Mikado", one of the duo's greatest successes.

Movie details

Topsy-Turvy

“Gilbert & Sullivan & So Much More”

1999 Drama · Music · Comedy 2h 40m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

For nearly a decade, Gilbert and Sullivan’s collaborations have delighted the English people. But in 1884, as a London heat wave cuts into the theater trade, their latest work, "Princess Ida", receives lukewarm press. In an effort to reconcile their creative differences and drawing inspiration from Japanese culture, they went on to create the hit opera "The Mikado", one of the duo's greatest successes.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Topsy-Turvy?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

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Names above the title

The people responsible.

Directed by

Mike Leigh

Written by

Mike Leigh

Jim Broadbent

Jim Broadbent

W. S. Gilbert

Allan Corduner

Allan Corduner

Sir Arthur Sullivan

Timothy Spall

Timothy Spall

Richard Temple (The Mikado)

Lesley Manville

Lesley Manville

Lucy Gilbert

Ron Cook

Ron Cook

Richard D'Oyly Carte

Wendy Nottingham

Wendy Nottingham

Helen Lenoir

Kevin McKidd

Kevin McKidd

Durward Lely (Nanki-Poo)

Court is in session

Put Topsy-Turvy on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.