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Journey from Greece

Journey from Greece

Drama · Music · 2017

Djam, a young Greek woman, is sent to Istanbul by her uncle Kakourgos, a former sailor with a passion for Rebetiko, to find a rare part that will repair their boat. In Istanbul, she encounters Avril, a nineteen-year-old French girl, alone and without any money, who came to Turkey as a voluntary worker with refugees. Djam, generous, cheeky, unpredictable, and free-spirited, takes Avril under her wing on the way to Mytilene. A journey filled with encounters, music, sharing, and hope.

Movie details

Journey from Greece

2017 Drama · Music 1h 37m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Djam, a young Greek woman, is sent to Istanbul by her uncle Kakourgos, a former sailor with a passion for Rebetiko, to find a rare part that will repair their boat. In Istanbul, she encounters Avril, a nineteen-year-old French girl, alone and without any money, who came to Turkey as a voluntary worker with refugees. Djam, generous, cheeky, unpredictable, and free-spirited, takes Avril under her wing on the way to Mytilene. A journey filled with encounters, music, sharing, and hope.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Journey from Greece?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Tony Gatlif

Written by

Tony Gatlif

Daphné Patakia

Daphné Patakia

Djam

Maryne Cayon

Maryne Cayon

Avril

Simon Abkarian

Simon Abkarian

Kakourgos

Kimon Kouris

Kimon Kouris

Pano

Yannis Bostantzoglou

Yannis Bostantzoglou

Le père

S

Solon Lekkas

Solon

Eleftheria Komi

Eleftheria Komi

Maria

Court is in session

Put Journey from Greece on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.