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Of Gods and Men

Of Gods and Men

Drama · History · 2010

A group of Trappist monks reside in the monastery of Tibhirine in Algeria, where they live in harmony with the largely Muslim population. When a bloody conflict between Algeria's army and Muslim Jihadi insurgents disrupts the peace, they are forced to consider fleeing the monastery and deserting the villagers they have ministered to. In the face of deadly violence, the monks wrestle with their faith and their convictions.

Movie details

Of Gods and Men

“In the face of terror, their greatest weapon was faith...”

2010 Drama · History 2h 0m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

A group of Trappist monks reside in the monastery of Tibhirine in Algeria, where they live in harmony with the largely Muslim population. When a bloody conflict between Algeria's army and Muslim Jihadi insurgents disrupts the peace, they are forced to consider fleeing the monastery and deserting the villagers they have ministered to. In the face of deadly violence, the monks wrestle with their faith and their convictions.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Of Gods and Men?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Xavier Beauvois

Written by

Xavier Beauvois · Étienne Comar

Lambert Wilson

Lambert Wilson

Christian

Michael Lonsdale

Michael Lonsdale

Luc

Olivier Rabourdin

Olivier Rabourdin

Christophe

Philippe Laudenbach

Philippe Laudenbach

Célestin

Jacques Herlin

Jacques Herlin

Amédée

Loïc Pichon

Loïc Pichon

Jean-Pierre

Xavier Maly

Xavier Maly

Michel

Court is in session

Put Of Gods and Men on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.