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Elizabeth Harvest

Elizabeth Harvest

Science Fiction · Thriller · Horror · 2018

The newly married Elizabeth arrives with her new husband, the scientist Henry, at a magnificent house. He tells her that she can do there anything she pleases, except to enter a certain closed room.

Movie details

Elizabeth Harvest

2018 Science Fiction · Thriller · Horror 1h 45m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

The newly married Elizabeth arrives with her new husband, the scientist Henry, at a magnificent house. He tells her that she can do there anything she pleases, except to enter a certain closed room.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Elizabeth Harvest?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Margaux

Margaux

Horror · 2022

As a group of seniors celebrate their final college days at a smart house, the house's highly advanced AI system, Margaux, begins to take on a deadly presence of her own. A carefree weekend of partying turns into a dystopian nightmare as they realize Margaux's plans to eliminate her tenants one way or another. Time begins to run out as the group desperately tries to survive and outsmart the smart home.

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Names above the title

The people responsible.

Directed by

Sebastian Gutierrez

Written by

Sebastian Gutierrez

Abbey Lee

Abbey Lee

Elizabeth

Ciarán Hinds

Ciarán Hinds

Henry

Carla Gugino

Carla Gugino

Claire

Matthew Beard

Matthew Beard

Oliver

Dylan Baker

Dylan Baker

Logan

Court is in session

Put Elizabeth Harvest on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.