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A Wedding

A Wedding

Comedy · 1978

Muffin's wedding to Dino Corelli is to be a big affair. Except the ageing priest isn't too sure of the ceremony, only the families actually turn up as the Corelli Italian connection is suspect, security guards watch the gifts rather over-zealously, and Dino's grandma expires in bed just as the reception starts. Could be quite an occasion.

Movie details

A Wedding

“More than one Family Secret hides behind A Wedding”

1978 Comedy 2h 5m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Muffin's wedding to Dino Corelli is to be a big affair. Except the ageing priest isn't too sure of the ceremony, only the families actually turn up as the Corelli Italian connection is suspect, security guards watch the gifts rather over-zealously, and Dino's grandma expires in bed just as the reception starts. Could be quite an occasion.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Wedding?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Robert Altman

Written by

Robert Altman · John Considine · Allan F. Nicholls · Patricia Resnick

Desi Arnaz Jr.

Desi Arnaz Jr.

Dino Corelli

Carol Burnett

Carol Burnett

Tulip Brenner

Geraldine Chaplin

Geraldine Chaplin

Rita Billingsley

Howard Duff

Howard Duff

Dr. Jules Meecham

Mia Farrow

Mia Farrow

Buffy Brenner

Vittorio Gassman

Vittorio Gassman

Luigi Corelli

Lillian Gish

Lillian Gish

Nettie Sloan

Court is in session

Put A Wedding on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Big-Idea Head

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.