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A Wedding

A Wedding

Comedy · Drama · 1978

Muffin's wedding to Dino Corelli is to be a big affair. Except the ageing priest isn't too sure of the ceremony, only the families actually turn up as the Corelli Italian connection is suspect, security guards watch the gifts rather over-zealously, and Dino's grandma expires in bed just as the reception starts. Could be quite an occasion.

Movie details

A Wedding

“More than one Family Secret hides behind A Wedding”

1978 Comedy · Drama 2h 5m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Muffin's wedding to Dino Corelli is to be a big affair. Except the ageing priest isn't too sure of the ceremony, only the families actually turn up as the Corelli Italian connection is suspect, security guards watch the gifts rather over-zealously, and Dino's grandma expires in bed just as the reception starts. Could be quite an occasion.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Wedding?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Robert Altman

Written by

John Considine · Robert Altman · Allan F. Nicholls · Patricia Resnick

Desi Arnaz Jr.

Desi Arnaz Jr.

Dino Corelli

Carol Burnett

Carol Burnett

Tulip Brenner

Geraldine Chaplin

Geraldine Chaplin

Rita Billingsley

Howard Duff

Howard Duff

Dr. Jules Meecham

Mia Farrow

Mia Farrow

Buffy Brenner

Vittorio Gassman

Vittorio Gassman

Luigi Corelli

Lillian Gish

Lillian Gish

Nettie Sloan

Court is in session

Put A Wedding on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.