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Devilman - Volume 2: Demon Bird

Devilman - Volume 2: Demon Bird

Fantasy · Animation · Horror · 1990

Akira Fudo, adjusting to his new powers as Devilman, is in for a heap of trouble as his newest enemy sent from the demon world is Sirene, the demon bird, who has more than a few tricks up her feathery sleeves to keep him and humanity at the brink of extinction.

Movie details

Devilman - Volume 2: Demon Bird

1990 Fantasy · Animation · Horror 57m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Akira Fudo, adjusting to his new powers as Devilman, is in for a heap of trouble as his newest enemy sent from the demon world is Sirene, the demon bird, who has more than a few tricks up her feathery sleeves to keep him and humanity at the brink of extinction.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Devilman - Volume 2: Demon Bird?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Umanosuke Iida

Written by

Go Nagai · Umanosuke Iida

Show Hayami

Show Hayami

Akira Fudou (voice)

Yu Mizushima

Yu Mizushima

Ryo (voice)

J

Jun Konomaki

Miki Makimura (voice)

Takeshi Aono

Takeshi Aono

Jinmen (voice)

Yoshiko Sakakibara

Yoshiko Sakakibara

Silen (voice)

Unsho Ishizuka

Unsho Ishizuka

Kaim (voice)

Fumihiko Tachiki

Fumihiko Tachiki

Gelmar (voice)

Court is in session

Put Devilman - Volume 2: Demon Bird on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.