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The Darjeeling Limited

The Darjeeling Limited

Adventure · Drama · Comedy · 2007

Three American brothers who have not spoken to each other in a year set off on a train voyage across India with a plan to find themselves and bond with each other -- to become brothers again like they used to be. Their "spiritual quest", however, veers rapidly off-course (due to events involving over-the-counter pain killers, Indian cough syrup, and pepper spray).

Movie details

The Darjeeling Limited

“I want us to be brothers again, like we used to be.”

2007 Adventure · Drama · Comedy 1h 31m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Three American brothers who have not spoken to each other in a year set off on a train voyage across India with a plan to find themselves and bond with each other -- to become brothers again like they used to be. Their "spiritual quest", however, veers rapidly off-course (due to events involving over-the-counter pain killers, Indian cough syrup, and pepper spray).

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Darjeeling Limited?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Wes Anderson

Written by

Wes Anderson · Roman Coppola · Jason Schwartzman

Owen Wilson

Owen Wilson

Francis

Adrien Brody

Adrien Brody

Peter

Jason Schwartzman

Jason Schwartzman

Jack

Amara Karan

Amara Karan

Rita

Wallace Wolodarsky

Wallace Wolodarsky

Brendan

Waris Ahluwalia

Waris Ahluwalia

The Chief Steward

Irrfan Khan

Irrfan Khan

The Father

Court is in session

Put The Darjeeling Limited on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.