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School of Life

School of Life

Drama · Comedy · Family · 2017

Paris 1930. Paul has only ever had one and the same horizon: the high walls of the orphanage, an austere building in the Parisian working class suburbs. Entrusted to a joyful country woman, Célestine, and her husband, Borel, the rather stiff gamekeeper of a vast estate in Sologne, the city child, recalcitrant and stubborn, arrives in a mysterious and disturbing world, that of a sovereign and wild region. The huge forest, misty ponds, heaths, and fields all belong to the Count de la Fresnaye, an elderly taciturn man who lives alone in his manor.

Movie details

School of Life

2017 Drama · Comedy · Family 1h 56m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

Paris 1930. Paul has only ever had one and the same horizon: the high walls of the orphanage, an austere building in the Parisian working class suburbs. Entrusted to a joyful country woman, Célestine, and her husband, Borel, the rather stiff gamekeeper of a vast estate in Sologne, the city child, recalcitrant and stubborn, arrives in a mysterious and disturbing world, that of a sovereign and wild region. The huge forest, misty ponds, heaths, and fields all belong to the Count de la Fresnaye, an elderly taciturn man who lives alone in his manor.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over School of Life?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Nicolas Vanier

Written by

Jérôme Tonnerre · Nicolas Vanier

François Cluzet

François Cluzet

Totoche

Jean Scandel

Jean Scandel

Paul Caradec

Éric Elmosnino

Éric Elmosnino

Borel

François Berléand

François Berléand

Count Louis Fernand de La Fresnaye

Valérie Karsenti

Valérie Karsenti

Célestine

Thomas Durand

Thomas Durand

Bertrand

Ilona Cabrera

Ilona Cabrera

Bella

Court is in session

Put School of Life on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.