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All Saints

All Saints

Drama · Comedy · 2017

Michael Spurlock decides to trade in his corporate sales career to become a pastor. Unfortunately, his first assignment is to close a country church and sell the prime piece of land where it sits. He soon has a change of heart when the church starts to welcome refugees from Burma. Spurlock now finds himself working with the refugees to turn the land into a working farm to pay the church's bills.

Movie details

All Saints

2017 Drama · Comedy 1h 48m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Michael Spurlock decides to trade in his corporate sales career to become a pastor. Unfortunately, his first assignment is to close a country church and sell the prime piece of land where it sits. He soon has a change of heart when the church starts to welcome refugees from Burma. Spurlock now finds himself working with the refugees to turn the land into a working farm to pay the church's bills.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over All Saints?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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A Southerner--young, poor, ambitious but uneducated--determines to become something in the world. He decides that the best way to do that is to become a preacher and start up his own church.

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Names above the title

The people responsible.

Directed by

Steve Gomer

Written by

Steve Armour

Cara Buono

Cara Buono

Aimee Spurlock

John Corbett

John Corbett

Michael Spurlock

Barry Corbin

Barry Corbin

Forrest

David Keith

David Keith

Boyd

Gregory Alan Williams

Gregory Alan Williams

Bishop Eldon Thompson

Patrick Johnson

Patrick Johnson

Father Jeffers

Nelson Lee

Nelson Lee

Ye Win

Court is in session

Put All Saints on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.