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Wise Blood

Wise Blood

Comedy · Drama · 1979

A Southerner--young, poor, ambitious but uneducated--determines to become something in the world. He decides that the best way to do that is to become a preacher and start up his own church.

Movie details

Wise Blood

“An American Masterpiece!”

1979 Comedy · Drama 1h 46m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

A Southerner--young, poor, ambitious but uneducated--determines to become something in the world. He decides that the best way to do that is to become a preacher and start up his own church.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Wise Blood?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Michael Spurlock decides to trade in his corporate sales career to become a pastor. Unfortunately, his first assignment is to close a country church and sell the prime piece of land where it sits. He soon has a change of heart when the church starts to welcome refugees from Burma. Spurlock now finds himself working with the refugees to turn the land into a working farm to pay the church's bills.

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Come Sunday

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Where it lives

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Names above the title

The people responsible.

Directed by

John Huston

Written by

Benedict Fitzgerald · Michael Fitzgerald

Brad Dourif

Brad Dourif

Hazel Motes

Dan Shor

Dan Shor

Enoch Emory

Amy Wright

Amy Wright

Sabbath Lily

Harry Dean Stanton

Harry Dean Stanton

Asa Hawks

Mary Nell Santacroce

Mary Nell Santacroce

Landlady

Ned Beatty

Ned Beatty

Hoover Shoates

John Huston

John Huston

Grandfather

Court is in session

Put Wise Blood on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.