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God's Not Dead

God's Not Dead

Drama · 2014

After he refuses to disavow his faith, a devout Christian student must prove the existence of God or else his college philosophy professor will fail him.

Movie details

God's Not Dead

“What do you believe?”

2014 Drama 1h 53m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

After he refuses to disavow his faith, a devout Christian student must prove the existence of God or else his college philosophy professor will fail him.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over God's Not Dead?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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God's Not Dead: A Light in Darkness

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When a pastor is shaken by the visible faith of a street-corner preacher, he is reminded that true belief always requires action. His response ignites a journey that impacts everyone it touches in ways that only God could orchestrate.

God's Not Dead: We The People

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Reverend Dave has to defend himself and a group of Christian homeschooling families after an inspection by local government officials.

The Girl Who Believes in Miracles

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It's a Wonderful Life

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The Shack

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A grieving man receives a mysterious, personal invitation to meet with God at a place called 'The Shack'.

Where it lives

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Names above the title

The people responsible.

Directed by

Harold Cronk

Written by

Hunter Dennis · Chuck Konzelman · Cary Solomon

Kevin Sorbo

Kevin Sorbo

Professor Radisson

Shane Harper

Shane Harper

Josh Wheaton

David A.R. White

David A.R. White

Reverend Dave

Dean Cain

Dean Cain

Mark Shelley

Cassidy Gifford

Cassidy Gifford

Kara

Marco Khan

Marco Khan

Mirsab

Alex Aristidis

Alex Aristidis

Fahid

Court is in session

Put God's Not Dead on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.