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After Everything

After Everything

Comedy · Drama · Romance · 2018

When Elliot, a brash 23-year-old living carefree in New York City, meets the sensible Mia and receives a damning diagnosis all in the same week, his world is turned completely upside down. But as their love blossoms amidst the chaos of his treatment, they discover that Elliot's illness is not the real test of their relationship – it's everything else.

Movie details

After Everything

“Love is sick.”

2018 Comedy · Drama · Romance 1h 34m

Critical arithmetic

The consensus, allegedly.

IMDb

6.4 / 10

2.5K votes

Rotten Tomatoes

85 %

Tomatometer

Metacritic

67 / 100

Metascore

TMDB

6.5 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

When Elliot, a brash 23-year-old living carefree in New York City, meets the sensible Mia and receives a damning diagnosis all in the same week, his world is turned completely upside down. But as their love blossoms amidst the chaos of his treatment, they discover that Elliot's illness is not the real test of their relationship – it's everything else.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over After Everything?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Roses

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An Unmarried Woman

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The Good House

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Ode to Joy

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Charlie suffers from a serious disease that causes acute narcolepsy whenever he is happy. Although he develops a variety of techniques to deny himself pleasure and deal with his sleep issues, they’re put to the test when he falls in love.

Love & Sex

Love & Sex

Comedy · 2000

When her rather explicit copy is rejected, magazine journalist Kate is asked by her editor to come up with an article on loving relationships instead, and to do so by the end of the day. This gets Kate thinking back over her own various experiences, and to wondering if she is in much of a position to write on the subject.

Once Around

Once Around

Comedy · 1991

A struggling woman finds unexpected love with a charismatic older salesman at a real estate seminar. Their passionate relationship clashes with the values of her family, particularly her father.

St. Elmo's Fire

St. Elmo's Fire

Drama · 1985

Reluctant to let go of college life, a close-knit team of seven friends--irresponsible saxophone player Billy, young Republican Alec, his girlfriend Leslie, struggling journalist Kevin, drama queen Jules, lovesick waiter Kirby, and Wendy, a social worker with a heart of gold--realise the party is over. And as the burdens of maturity close in on the young dreamers, the complexities of adulthood and the daily struggle of growing up put their sacred friendship to the test. But everyone knows life is not a bed of roses. It won't be easy, but when all is said and done, what will it take for St. Elmo's clique to find its place in the real world?

About Last Night...

About Last Night...

Comedy · 1986

A man and woman meet and try to have a romantic affair, despite their personal problems and the interference of their disapproving friends.

Chéri

Chéri

Drama · 2009

The son of a courtesan retreats into a fantasy world after being forced to end his relationship with the older woman who educated him in the ways of love.

Where it lives

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Names above the title

The people responsible.

Directed by

Hannah Marks · Joey Power

Written by

Hannah Marks · Joey Power

Jeremy Allen White

Jeremy Allen White

Elliot

Maika Monroe

Maika Monroe

Mia

Gina Gershon

Gina Gershon

Tracy

Marisa Tomei

Marisa Tomei

Dr. Lisa Harden

Joe Keery

Joe Keery

Chris

Dean Winters

Dean Winters

Blake

DeRon Horton

DeRon Horton

Nico

Court is in session

Put After Everything on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.