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An Unmarried Woman

An Unmarried Woman

Drama · Romance · Comedy · 1978

A wealthy woman from Manhattan's Upper East Side struggles to deal with her new identity and her sexuality after her husband of 16 years leaves her for a younger woman.

Movie details

An Unmarried Woman

“She laughs, she cries, she feels angry, she feels lonely, she feels guilty, she makes breakfast, she makes love, she makes do, she is strong, she is weak, she is brave, she is scared, she is… an unmarried woman.”

1978 Drama · Romance · Comedy 2h 4m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

A wealthy woman from Manhattan's Upper East Side struggles to deal with her new identity and her sexuality after her husband of 16 years leaves her for a younger woman.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over An Unmarried Woman?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Paul Mazursky

Written by

Paul Mazursky

Jill Clayburgh

Jill Clayburgh

Erica Benton

Alan Bates

Alan Bates

Saul Kaplan

Michael Murphy

Michael Murphy

Martin Benton

Cliff Gorman

Cliff Gorman

Charlie

Kelly Bishop

Kelly Bishop

Elaine Liebowitz

Lisa Lucas

Lisa Lucas

Patti Benton

Linda Miller

Linda Miller

Jeannette Lewin

Court is in session

Put An Unmarried Woman on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.