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The Snows of Kilimanjaro

The Snows of Kilimanjaro

Adventure · Romance · Drama · 1952

Writer Harry Street reflects on his life as he lies dying from an infection while on safari in the shadow of Mount Kilimanjaro.

Movie details

The Snows of Kilimanjaro

“His adventures . . . Like his loves . . . Were great and exciting!”

1952 Adventure · Romance · Drama 1h 57m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Writer Harry Street reflects on his life as he lies dying from an infection while on safari in the shadow of Mount Kilimanjaro.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Snows of Kilimanjaro?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Henry King

Written by

Casey Robinson

Gregory Peck

Gregory Peck

Harry Street

Susan Hayward

Susan Hayward

Helen Street

Ava Gardner

Ava Gardner

Cynthia Green

Hildegard Knef

Hildegard Knef

Countess Liz

Leo G. Carroll

Leo G. Carroll

Uncle Bill Swift

Torin Thatcher

Torin Thatcher

Johnson

A

Ava Norring

Beatrice

Court is in session

Put The Snows of Kilimanjaro on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.