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Aftershock

Aftershock

Drama · 2010

Tangshan, 1976. Two seven-year-old twins are buried under the rubble of the deadliest earthquake of the 20th century. The rescue team explains to their mother that freeing either child will almost certainly result in the death of the other. Forced to make the most difficult decision of her life, she finally chooses to save her son. Though left behind as dead, the little girl miraculously survives, unbeknownst to her brother and mother.

Movie details

Aftershock

“23 seconds, 32 years.”

2010 Drama 2h 15m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

Tangshan, 1976. Two seven-year-old twins are buried under the rubble of the deadliest earthquake of the 20th century. The rescue team explains to their mother that freeing either child will almost certainly result in the death of the other. Forced to make the most difficult decision of her life, she finally chooses to save her son. Though left behind as dead, the little girl miraculously survives, unbeknownst to her brother and mother.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Aftershock?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Feng Xiaogang

Written by

Su Xiao-Wei

Xu Fan

Xu Fan

Li Yuanni

Zhang Jingchu

Zhang Jingchu

Fang Deng

Wang Ziwen

Wang Ziwen

Xiao He

Chen Daoming

Chen Daoming

Wang Deqing

Jerry Lee

Jerry Lee

Fang Da

Chen Jin

Chen Jin

Guilan Dong

Zhang Guoqiang

Zhang Guoqiang

Fang Daqiang

Court is in session

Put Aftershock on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.