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I Got Life!

I Got Life!

Drama · Comedy · 2017

Aurore has separated, just lost her job, and learns that she is going to be a grandmother.

Movie details

I Got Life!

2017 Drama · Comedy 1h 26m

Critical arithmetic

The consensus, allegedly.

IMDb

6.4 / 10

1.4K votes

Rotten Tomatoes

94 %

Tomatometer

TMDB

6.1 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Aurore has separated, just lost her job, and learns that she is going to be a grandmother.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over I Got Life!?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Julia(s)

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Drama · 2022

Paris 2052. Julia, 80 years old, had a fulfilled life. On her birthday, she reflects on the decisions and circumstances that could have led her on different paths. From the age of 17 to this day, her life was full of small but critical moments. Each was a turning point with dramatic consequences. What would have happened if she had forgotten her passport, chosen a different line at the store, driven the scooter this one time...? Is her life a succession of coincidences and accidents or a ready-made path?

Where it lives

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Names above the title

The people responsible.

Directed by

Blandine Lenoir

Written by

Blandine Lenoir · Jean-Luc Gaget · Océan

Agnès Jaoui

Agnès Jaoui

Aurore Tabort

Thibault de Montalembert

Thibault de Montalembert

Totoche

Pascale Arbillot

Pascale Arbillot

Mano

Sarah Suco

Sarah Suco

Marina

Lou Roy-Lecollinet

Lou Roy-Lecollinet

Lucie

Philippe Rebbot

Philippe Rebbot

Bernard

Laure Calamy

Laure Calamy

La conseillère Pôle Emploi

Court is in session

Put I Got Life! on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.