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Vagabond

Vagabond

Drama · 1985

Mona Bergeron is dead, her frozen body found in a ditch in the French countryside. From this, the film flashes back to the weeks leading up to her death. Through these flashbacks, Mona gradually declines as she travels from place to place, taking odd jobs and staying with whomever will offer her a place to sleep. Mona is fiercely independent, craving freedom over comfort, but it is this desire to be free that will eventually lead to her demise.

Movie details

Vagabond

1985 Drama 1h 46m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

Mona Bergeron is dead, her frozen body found in a ditch in the French countryside. From this, the film flashes back to the weeks leading up to her death. Through these flashbacks, Mona gradually declines as she travels from place to place, taking odd jobs and staying with whomever will offer her a place to sleep. Mona is fiercely independent, craving freedom over comfort, but it is this desire to be free that will eventually lead to her demise.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Vagabond?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Agnès Varda

Written by

Agnès Varda

Sandrine Bonnaire

Sandrine Bonnaire

Mona Bergeron

Macha Méril

Macha Méril

Madame Landier

Yolande Moreau

Yolande Moreau

Yolande

Stéphane Freiss

Stéphane Freiss

Jean-Pierre

S

Setti Ramdane

The Moroccan Who Discovers Mona

Y

Yahiaoui Assouna

Assoun

Marthe Jarnias

Marthe Jarnias

Old Aunt Lydie

Court is in session

Put Vagabond on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.