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Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles

Drama · 1976

A lonely young widow lives with her son following an immutable order: while the boy is in school, she cares for their apartment, does chores, and receives clients in the afternoon.

Movie details

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles

1976 Drama 3h 22m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

A lonely young widow lives with her son following an immutable order: while the boy is in school, she cares for their apartment, does chores, and receives clients in the afternoon.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Last Woman

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Where it lives

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Names above the title

The people responsible.

Directed by

Chantal Akerman

Written by

Chantal Akerman

Delphine Seyrig

Delphine Seyrig

Jeanne Dielman

Jan Decorte

Jan Decorte

Sylvain Dielman

Henri Storck

Henri Storck

1st Caller

Jacques Doniol-Valcroze

Jacques Doniol-Valcroze

2nd Caller

Y

Yves Bical

3rd Caller

Chantal Akerman

Chantal Akerman

Neighbor (voice) (uncredited)

Court is in session

Put Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.