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The Search

The Search

Drama · 2014

A woman who works for a non-governmental organization (NGO) forms a special relationship with a young boy in war-torn Chechnya.

Movie details

The Search

2014 Drama 2h 29m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

A woman who works for a non-governmental organization (NGO) forms a special relationship with a young boy in war-torn Chechnya.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Search?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Élisa

Élisa

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Marie has had a tough childhood ever since her mother Elisa committed suicide. She has spent most of her life in an orphanage and now makes a living as a small time criminal in Paris. Now she wants to unravel her past and find her father whom she blames for her mother's death.

DNA

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A poor, struggling South Carolinian mother and daughter face painful choices with their resolve and pride. Bone, the eldest daughter, and Anney her tired mother, grow both closer and farther apart: Anney sees Glen as her last chance.

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Sergio

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Hungry Hearts

Hungry Hearts

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Cardboard Boxer

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Where it lives

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Names above the title

The people responsible.

Directed by

Michel Hazanavicius

Written by

Michel Hazanavicius

Bérénice Bejo

Bérénice Bejo

Carole

Annette Bening

Annette Bening

Helen

Maxim Emelianov

Maxim Emelianov

Kolia

Abdul Khalim Mamutsiev

Abdul Khalim Mamutsiev

Hadji

Zukhra Duishvili

Zukhra Duishvili

Raïssa

Yuriy Tsurilo

Yuriy Tsurilo

The Colonel

Dmytro Rybalevskyi

Dmytro Rybalevskyi

Soldier with the Handgun

Court is in session

Put The Search on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.