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All That Heaven Allows

All That Heaven Allows

Drama · Romance · 1955

Two different social classes collide when Cary Scott, a wealthy upper-class widow, falls in love with her much younger and down-to-earth gardener, prompting disapproval and criticism from her children and country club friends.

Movie details

All That Heaven Allows

“How much does Heaven Allow a Woman in Love?”

1955 Drama · Romance 1h 29m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

Two different social classes collide when Cary Scott, a wealthy upper-class widow, falls in love with her much younger and down-to-earth gardener, prompting disapproval and criticism from her children and country club friends.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over All That Heaven Allows?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Douglas Sirk

Written by

Harry Lee · Peggy Thompson · Edna L. Lee

Jane Wyman

Jane Wyman

Cary Scott

Rock Hudson

Rock Hudson

Ron Kirby

Agnes Moorehead

Agnes Moorehead

Sara Warren

Conrad Nagel

Conrad Nagel

Harvey

Virginia Grey

Virginia Grey

Alida Anderson

Gloria Talbott

Gloria Talbott

Kay Scott

William Reynolds

William Reynolds

Ned Scott

Court is in session

Put All That Heaven Allows on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.