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Machine-Gun Kelly

Machine-Gun Kelly

Crime · Action · 1958

George Kelly is angry at the world and scared to death of dying. A career bank robber, Kelly gets his confidence from his Thompson SMG and his girl Flo. After a botched robbery, Flo, Kelly and his gang try their hand at a more lucrative job: kidnapping.

Movie details

Machine-Gun Kelly

“Without His Gun He Was Naked Yellow!”

1958 Crime · Action 1h 23m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

George Kelly is angry at the world and scared to death of dying. A career bank robber, Kelly gets his confidence from his Thompson SMG and his girl Flo. After a botched robbery, Flo, Kelly and his gang try their hand at a more lucrative job: kidnapping.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Machine-Gun Kelly?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Roger Corman

Written by

R. Wright Campbell

Charles Bronson

Charles Bronson

George R. 'Machine Gun' Kelly

Susan Cabot

Susan Cabot

Florence 'Flo' Becker

Morey Amsterdam

Morey Amsterdam

Michael Fandango

Richard Devon

Richard Devon

Apple

Jack Lambert

Jack Lambert

Howard

Frank De Kova

Frank De Kova

Harry

Connie Gilchrist

Connie Gilchrist

'Ma' Becker

Court is in session

Put Machine-Gun Kelly on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.