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See You Up There

See You Up There

Drama · Crime · War · 2017

In November 1918, a few days before the Armistice, when Lieutenant Pradelle orders a senseless attack, he causes a useless disaster; but his outrageous act also binds the lives of two soldiers who have nothing more in common than the battlefield: Édouard saves Albert, although at a high cost. They become companions in misfortune who will attempt to survive in a changing world. Pradelle, in his own way, does the same.

Movie details

See You Up There

2017 Drama · Crime · War 1h 53m

Critical arithmetic

One number, for now.

TMDB

7.8 / 10

Community rating

In November 1918, a few days before the Armistice, when Lieutenant Pradelle orders a senseless attack, he causes a useless disaster; but his outrageous act also binds the lives of two soldiers who have nothing more in common than the battlefield: Édouard saves Albert, although at a high cost. They become companions in misfortune who will attempt to survive in a changing world. Pradelle, in his own way, does the same.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over See You Up There?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Albert Dupontel

Written by

Pierre Lemaitre · Albert Dupontel

Nahuel Pérez Biscayart

Nahuel Pérez Biscayart

Édouard Péricourt

Albert Dupontel

Albert Dupontel

Albert Maillard

Laurent Lafitte

Laurent Lafitte

Henri Pradelle

Niels Arestrup

Niels Arestrup

Marcel Péricourt

Émilie Dequenne

Émilie Dequenne

Madeleine Péricourt

Mélanie Thierry

Mélanie Thierry

Pauline

Héloïse Balster

Héloïse Balster

Louise

Court is in session

Put See You Up There on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.