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This Is Our Land

This Is Our Land

Drama · 2017

Pauline, a devoted and generous home help nurse, raises her two children alone, while also looking after her father, a former steelworker. Taking advantage of her popularity, the directors of an extremist political party suggest she become their candidate at the mayoral elections.

Movie details

This Is Our Land

2017 Drama 1h 57m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Pauline, a devoted and generous home help nurse, raises her two children alone, while also looking after her father, a former steelworker. Taking advantage of her popularity, the directors of an extremist political party suggest she become their candidate at the mayoral elections.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over This Is Our Land?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The River

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Tom and Mae Garvey are a Tennessee farming couple battling violent floods to save their land. In addition to natural disasters, the Garveys fight to stop a selfish land developer and a local corporation from foreclosing on their farm. While Mae stays at home to care for their children and tend to the crops, Tom finds work as a scab at a steel mill to preserve his family's property.

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Names above the title

The people responsible.

Directed by

Lucas Belvaux

Written by

Jérôme Leroy · Lucas Belvaux

Émilie Dequenne

Émilie Dequenne

Pauline Duhez

André Dussollier

André Dussollier

Philippe Berthier

Guillaume Gouix

Guillaume Gouix

Stéphane Stankowiak, dit Stanko

Catherine Jacob

Catherine Jacob

Agnès Dorgelle

Anne Marivin

Anne Marivin

Nathalie Leclerc

Patrick Descamps

Patrick Descamps

Jacques Duhez

M

Michel Ferracci

Dominique Orsini

Court is in session

Put This Is Our Land on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.