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The Freshman

The Freshman

Comedy · Romance · 1925

An unathletic college freshman ridiculed by his peers for his mannerisms strives to become popular by making the football team.

Movie details

The Freshman

“Harold kicks the fun winning Goal.”

1925 Comedy · Romance 1h 17m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

An unathletic college freshman ridiculed by his peers for his mannerisms strives to become popular by making the football team.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Freshman?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Viola Hastings is in a real jam. Complications threaten her scheme to pose as her twin brother, Sebastian, and take his place at a new boarding school. She falls in love with her handsome roommate, Duke, who loves beautiful Olivia, who has fallen for Sebastian! As if that were not enough, Viola's twin returns from London ahead of schedule but has no idea that his sister has already replaced him on campus.

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Comedy · 2004

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Where it lives

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Names above the title

The people responsible.

Directed by

Sam Taylor · Fred C. Newmeyer

Written by

Sam Taylor · Ted Wilde · John Grey · Tim Whelan

Harold Lloyd

Harold Lloyd

Harold Lamb

Jobyna Ralston

Jobyna Ralston

Peggy

Brooks Benedict

Brooks Benedict

The College Cad

Hazel Keener

Hazel Keener

The College Belle

Joseph Harrington

Joseph Harrington

The College Tailor

Pat Harmon

Pat Harmon

The Football Coach

Leon Beaumon

Leon Beaumon

Student (uncredited)

Court is in session

Put The Freshman on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.