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The Egg and I

The Egg and I

Comedy · Romance · 1947

World War II veteran Bob MacDonald surprises his new wife, Betty, by quitting his city job and moving them to a dilapidated farm in the country. While Betty gamely struggles with managing the crumbling house and holding off nosy neighbors and a recalcitrant pig, Bob makes plans for crops and livestock. The couple's bliss is shaken by a visit from a beautiful farm owner, who seems to want more from Bob than just managing her property.

Movie details

The Egg and I

“A best seller becomes a best picture !”

1947 Comedy · Romance 1h 48m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

World War II veteran Bob MacDonald surprises his new wife, Betty, by quitting his city job and moving them to a dilapidated farm in the country. While Betty gamely struggles with managing the crumbling house and holding off nosy neighbors and a recalcitrant pig, Bob makes plans for crops and livestock. The couple's bliss is shaken by a visit from a beautiful farm owner, who seems to want more from Bob than just managing her property.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Egg and I?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Chester Erskine

Written by

Fred F. Finklehoffe · Chester Erskine

Claudette Colbert

Claudette Colbert

Betty MacDonald

Fred MacMurray

Fred MacMurray

Bob MacDonald

Marjorie Main

Marjorie Main

Phoebe 'Ma' Kettle

Louise Allbritton

Louise Allbritton

Harriet Putnam

Percy Kilbride

Percy Kilbride

Frank 'Pa' Kettle

Richard Long

Richard Long

Tom Kettle

Billy House

Billy House

Billy Reed

Court is in session

Put The Egg and I on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.