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Picnic

Picnic

Drama · Adventure · Fantasy · 1996

Believing that the world will end that very day, three mental patients Coco, Tsumuji, and Satoru set out upon a journey. Walking upon the tops of the walls of the city, they seek to find a picnic spot with the best vantage point to view the final event.

Movie details

Picnic

“I know when the world will end.”

1996 Drama · Adventure · Fantasy 1h 12m

Critical arithmetic

The consensus, allegedly.

IMDb

7.0 / 10

3K votes

TMDB

6.8 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Believing that the world will end that very day, three mental patients Coco, Tsumuji, and Satoru set out upon a journey. Walking upon the tops of the walls of the city, they seek to find a picnic spot with the best vantage point to view the final event.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Picnic?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Shunji Iwai

Written by

Shunji Iwai

Chara

Chara

Coco

Tadanobu Asano

Tadanobu Asano

Tsumuji

Koichi Hashizume

Koichi Hashizume

Satoru

Naomasa Musaka

Naomasa Musaka

Head Nurse

Shifumi Yamaguchi

Shifumi Yamaguchi

Coco's Mother

Takaaki Kabuto

Takaaki Kabuto

Coco's Father

Kazue Itō

Kazue Itō

Doctor

Court is in session

Put Picnic on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.