“It owes the canon nothing.”
The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The Devil and Max Devlin
Fantasy · Comedy · 1981
When Max dies in an accident, he goes straight to Hell. But the Devil Barney makes him an offer: if he manages to get three innocent youths to sell him their souls in the next two months, he may stay on Earth. Max accepts, and returns to Earth, equipped with special powers. However, his task is harder than expected, especially when seven year old Tobi demands that he marry his mother.
The Devil and Max Devlin
“A new high in being lowdown.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
5.8 / 10
Community rating
When Max dies in an accident, he goes straight to Hell. But the Devil Barney makes him an offer: if he manages to get three innocent youths to sell him their souls in the next two months, he may stay on Earth. Max accepts, and returns to Earth, equipped with special powers. However, his task is harder than expected, especially when seven year old Tobi demands that he marry his mother.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Devil and Max Devlin?
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their caseThe Big-Idea Head
“You watch with your brain, not your gut.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Steven Hilliard Stern
Written by
Mary Rodgers · Jimmy Sangster
Put The Devil and Max Devlin on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Easy pleasure, short half-life.”
It moves efficiently through the moment but offers little reason to keep arguing once the credits end.





