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Gangsters

Gangsters

Crime · Drama · 2002

Franck Chaievski and Nina Delgado are two undercover detectives of a French special force trying to identify two corrupts members of the Paris Police Force. Franck is pretending to be a gangster and Nina a prostitute living with him, and involved in a robbery of a fortune in diamonds, having seven deaths and some injured persons.

Movie details

Gangsters

2002 Crime · Drama 1h 30m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Franck Chaievski and Nina Delgado are two undercover detectives of a French special force trying to identify two corrupts members of the Paris Police Force. Franck is pretending to be a gangster and Nina a prostitute living with him, and involved in a robbery of a fortune in diamonds, having seven deaths and some injured persons.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Gangsters?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Last Diamond

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Names above the title

The people responsible.

Directed by

Olivier Marchal

Written by

Olivier Marchal

Richard Anconina

Richard Anconina

Franck Chaievski

Anne Parillaud

Anne Parillaud

Nina Delgado

François Levantal

François Levantal

Eddy Dahan

Gérald Laroche

Gérald Laroche

Marc Jansen

Francis Renaud

Francis Renaud

Rocky

Guy Lecluyse

Guy Lecluyse

Babar

Pierre Laplace

Pierre Laplace

Pitoune

Court is in session

Put Gangsters on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.