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Benediction

Benediction

Drama · History · War · 2021

Poet Siegfried Sassoon survived the horrors of fighting in the First World War and was decorated for his bravery, but became a vocal critic of the government's continuation of the war when he returned from service. Adored by members of the aristocracy as well as stars of London's literary and stage world, he embarked on affairs with several men as he attempted to come to terms with his homosexuality.

Movie details

Benediction

“Love is never still.”

2021 Drama · History · War 2h 17m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Poet Siegfried Sassoon survived the horrors of fighting in the First World War and was decorated for his bravery, but became a vocal critic of the government's continuation of the war when he returned from service. Adored by members of the aristocracy as well as stars of London's literary and stage world, he embarked on affairs with several men as he attempted to come to terms with his homosexuality.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Benediction?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Terence Davies

Written by

Terence Davies

Jack Lowden

Jack Lowden

Siegfried Sassoon

Peter Capaldi

Peter Capaldi

Siegfried Sassoon (Older)

Simon Russell Beale

Simon Russell Beale

Robbie Ross

Jeremy Irvine

Jeremy Irvine

Ivor Novello

Calam Lynch

Calam Lynch

Stephen Tennant

Tom Blyth

Tom Blyth

Glen Byam Shaw

Kate Phillips

Kate Phillips

Hester Gatty

Court is in session

Put Benediction on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.