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Blue Moon

Blue Moon

History · Drama · 2025

On the evening of March 31, 1943, legendary lyricist Lorenz Hart confronts his shattered self-confidence in Sardi’s bar as his former collaborator, Richard Rodgers, celebrates the opening night of his ground-breaking hit musical, “Oklahoma!”

Movie details

Blue Moon

“Forgotten but not gone.”

2025 History · Drama 1h 41m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

On the evening of March 31, 1943, legendary lyricist Lorenz Hart confronts his shattered self-confidence in Sardi’s bar as his former collaborator, Richard Rodgers, celebrates the opening night of his ground-breaking hit musical, “Oklahoma!”

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Blue Moon?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

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Opening Night

Opening Night

Drama · 1977

Actress Myrtle Gordon is a functioning alcoholic who is a few days from the opening night of her latest play, concerning a woman distraught about aging. One night a car kills one of Myrtle's fans who is chasing her limousine in an attempt to get the star's attention. Myrtle internalizes the accident and goes on a spiritual quest, but fails to finds the answers she is after. As opening night inches closer and closer, fragile Myrtle must find a way to make the show go on.

Where it lives

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Names above the title

The people responsible.

Directed by

Richard Linklater

Written by

Robert Kaplow

Ethan Hawke

Ethan Hawke

Lorenz Hart

Bobby Cannavale

Bobby Cannavale

Eddie

Andrew Scott

Andrew Scott

Richard Rodgers

Margaret Qualley

Margaret Qualley

Elizabeth Weiland

Patrick Kennedy

Patrick Kennedy

E.B. 'Andy' White

Jonah Lees

Jonah Lees

Morty Rifkin

Simon Delaney

Simon Delaney

Oscar Hammerstein

Court is in session

Put Blue Moon on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.