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Film Stars Don't Die in Liverpool

Film Stars Don't Die in Liverpool

Romance · Drama · 2017

Liverpool, 1978: What starts as a vibrant affair between a legendary femme-fatale, the eccentric Academy Award-winning actress Gloria Grahame, and her young lover, British actor Peter Turner, quickly grows into a deeper relationship, with Turner being the person Gloria turns to for comfort.

Movie details

Film Stars Don't Die in Liverpool

“Love, just like in the movies.”

2017 Romance · Drama 1h 45m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Liverpool, 1978: What starts as a vibrant affair between a legendary femme-fatale, the eccentric Academy Award-winning actress Gloria Grahame, and her young lover, British actor Peter Turner, quickly grows into a deeper relationship, with Turner being the person Gloria turns to for comfort.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Film Stars Don't Die in Liverpool?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Paul McGuigan

Written by

Matt Greenhalgh · Peter Turner

Annette Bening

Annette Bening

Gloria Grahame

Jamie Bell

Jamie Bell

Peter Turner

Julie Walters

Julie Walters

Bella Turner

Stephen Graham

Stephen Graham

Joe Turner, Jr

Kenneth Cranham

Kenneth Cranham

Joe Turner

Leanne Best

Leanne Best

Eileen

Vanessa Redgrave

Vanessa Redgrave

Jeanne McDougall

Court is in session

Put Film Stars Don't Die in Liverpool on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.