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The Monster Club

The Monster Club

Horror · Comedy · 1981

A vampire attacks a horror author on the street and then invites him to a nearby club as a gesture of gratitude, which turns out to be a meeting place for assorted creatures of the night. The vampire then regales him with three stories, each interspersed with musical performances at the club.

Movie details

The Monster Club

“You'll meet some interesting people and hear some great songs at the Monster Club”

1981 Horror · Comedy 1h 38m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

A vampire attacks a horror author on the street and then invites him to a nearby club as a gesture of gratitude, which turns out to be a meeting place for assorted creatures of the night. The vampire then regales him with three stories, each interspersed with musical performances at the club.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Monster Club?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Dracula's Daughter

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Names above the title

The people responsible.

Directed by

Roy Ward Baker

Written by

Edward Abraham · Valerie Abraham

Vincent Price

Vincent Price

Eramus

John Carradine

John Carradine

R.Chetwynd-Hayes, Writer

Donald Pleasence

Donald Pleasence

Pickering, Chief of the B-Squad

Stuart Whitman

Stuart Whitman

Sam, Movie Director

Britt Ekland

Britt Ekland

Busotsky's Mother

Richard Johnson

Richard Johnson

Busotsky's Father

Anthony Steel

Anthony Steel

Lintom Busotsky, Film Producer

Court is in session

Put The Monster Club on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.