The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
Back to trending 
Dracula: Dead and Loving It
Comedy · Horror · Fantasy · 1995
When a lawyer shows up at the vampire's doorstep, he falls prey to his charms and joins him in his search for fresh blood. Enter Professor Van Helsing, who may be the only one able to vanquish the Count.
Movie details
Dracula: Dead and Loving It
“You'll laugh until you die...then you'll rise from the dead and laugh again!”
1995 Comedy · Horror · Fantasy 1h 28m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.1 / 10
Community rating
When a lawyer shows up at the vampire's doorstep, he falls prey to his charms and joins him in his search for fresh blood. Enter Professor Van Helsing, who may be the only one able to vanquish the Count.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Dracula: Dead and Loving It?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Hubie Halloween
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Hubie Dubois, despite his devotion to his hometown of Salem, Massachusetts (and its legendary Halloween celebration), is a figure of mockery for kids and adults alike. But this year, something really is going bump in the night, and it’s up to Hubie to save Halloween.
R.L. Stine's Monsterville: The Cabinet of Souls
Comedy · 2015
Teenage friends must resist the spell of an evil showman staging a house of horrors show in their small town.
Death Becomes Her
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Madeline is married to Ernest, who was once her arch-rival Helen's fiancé. After recovering from a mental breakdown, Helen vows to kill Madeline and steal back Ernest. Unfortunately for everyone, the introduction of a magic potion causes things to be a great deal more complicated than a mere murder plot.
Dave Made a Maze
Comedy · 2017
Dave, an artist who has yet to complete anything significant in his career, builds a fort in his living room out of pure frustration, only to wind up trapped by the fantastical pitfalls, booby traps, and critters of his own creation. Ignoring his warnings, Dave’s girlfriend Annie leads a band of oddball explorers on a rescue mission. Once inside, they find themselves trapped in an ever-changing supernatural world, threatened by booby traps and pursued by a bloodthirsty Minotaur.
Snatchers
Sci-fi · 2019
After status-obsessed teen Sara has sex for the first time, she wakes up the next day nine months pregnant-with an alien.
Living Among Us
Thriller · 2018
Vampires have just made themselves public! Now a group of documentarians have been granted access to spend some time with them and learn how they live and coexist with humans. But as reality sets in, the crew realize they are in for far more than they bargained for.
The Fearless Vampire Killers
Comedy · 1967
A noted professor and his dim-witted apprentice fall prey to their inquiring vampires, while on the trail of the ominous damsel in distress.
Where it lives
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Names above the title
The people responsible.
Cast & crew
Directed by
Mel Brooks
Written by
Steve Haberman · Rudy De Luca · Mel Brooks
Leslie Nielsen
Count Dracula
Mel Brooks
Prof. Abraham Van Helsing
Amy Yasbeck
Mina Seward
Peter MacNicol
Thomas Renfield
Lysette Anthony
Lucy Westenra
Harvey Korman
Dr. Jack Seward
Steven Weber
Jonathan Harker
Court is in session
Put Dracula: Dead and Loving It on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Prestige Tourist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.