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Stan & Ollie

Stan & Ollie

Comedy · Drama · 2018

With their golden era long behind them, comedy duo Stan Laurel and Oliver Hardy embark on a variety hall tour of Britain and Ireland. Despite the pressures of a hectic schedule, and with the support of their wives Lucille and Ida – a formidable double act in their own right – the pair's love of performing, as well as for each other, endures as they secure their place in the hearts of their adoring public

Movie details

Stan & Ollie

“The untold story of the world's greatest comedy act.”

2018 Comedy · Drama 1h 38m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

With their golden era long behind them, comedy duo Stan Laurel and Oliver Hardy embark on a variety hall tour of Britain and Ireland. Despite the pressures of a hectic schedule, and with the support of their wives Lucille and Ida – a formidable double act in their own right – the pair's love of performing, as well as for each other, endures as they secure their place in the hearts of their adoring public

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Stan & Ollie?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jon S. Baird

Written by

Jeff Pope

Steve Coogan

Steve Coogan

Stanley "Stan" Laurel

John C. Reilly

John C. Reilly

Oliver "Ollie" Hardy

Shirley Henderson

Shirley Henderson

Lucille Hardy

Nina Arianda

Nina Arianda

Ida Kitaeva Laurel

Rufus Jones

Rufus Jones

Bernard Delfont

Danny Huston

Danny Huston

Hal Roach

Joseph Balderrama

Joseph Balderrama

James W. Horne

Court is in session

Put Stan & Ollie on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.