“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

Dragon Ball: Curse of the Blood Rubies
Action · Animation · Adventure · 1986
The great King Gurumes is searching for the Dragon Balls in order to put a stop to his endless hunger. A young girl named Pansy who lives in the nearby village has had enough of the treachery and decides to seek Muten Rōshi for assistance. Can our heroes save the village and put a stop to the Gurumes Army?
Dragon Ball: Curse of the Blood Rubies
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.9 / 10
Community rating
The great King Gurumes is searching for the Dragon Balls in order to put a stop to his endless hunger. A young girl named Pansy who lives in the nearby village has had enough of the treachery and decides to seek Muten Rōshi for assistance. Can our heroes save the village and put a stop to the Gurumes Army?
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Dragon Ball: Curse of the Blood Rubies?
The Adrenaline Seeker
“If it slows down, you check your phone.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Daisuke Nishio
Written by
Toshiki Inoue · Yoshifumi Yûki
Put Dragon Ball: Curse of the Blood Rubies on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.






