“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

Dragon Ball Z: Battle of Gods
Animation · Action · Science Fiction · 2013
After the defeat of Majin Buu, a powerful God of Destruction known as Beerus searches for the Saiyan warrior who defeated Frieza. Realizing the threat Beerus poses to Earth, the Z-fighters must stop him. Only Goku, humanity’s last hope, can ascend to the level of a legendary Super Saiyan God and save the planet, and possibly the entire universe!
Dragon Ball Z: Battle of Gods
“Be there when a hero becomes a god.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.8 / 10
Community rating
After the defeat of Majin Buu, a powerful God of Destruction known as Beerus searches for the Saiyan warrior who defeated Frieza. Realizing the threat Beerus poses to Earth, the Z-fighters must stop him. Only Goku, humanity’s last hope, can ascend to the level of a legendary Super Saiyan God and save the planet, and possibly the entire universe!
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Dragon Ball Z: Battle of Gods?
The Adrenaline Seeker
“If it slows down, you check your phone.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Masahiro Hosoda
Written by
Yusuke Watanabe
Put Dragon Ball Z: Battle of Gods on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.






