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The Man from the Alamo

The Man from the Alamo

Western · 1953

During the war for Texas independence, one man leaves the Alamo before the end (chosen by lot to help others' families) but is too late to accomplish his mission, and is branded a coward. Since he cannot now expose a gang of turncoats, he infiltrates them instead. Can he save a wagon train of refugees from Wade's Guerillas?

Movie details

The Man from the Alamo

“Out Of Texas' Bravest Hour... Came The Man They Called The Coward”

1953 Western 1h 19m

Critical arithmetic

The consensus, allegedly.

IMDb

6.4 / 10

2.2K votes

Rotten Tomatoes

100 %

Tomatometer

TMDB

6.6 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

During the war for Texas independence, one man leaves the Alamo before the end (chosen by lot to help others' families) but is too late to accomplish his mission, and is branded a coward. Since he cannot now expose a gang of turncoats, he infiltrates them instead. Can he save a wagon train of refugees from Wade's Guerillas?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Man from the Alamo?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Budd Boetticher

Written by

Niven Busch · Steve Fisher · D.D. Beauchamp · Oliver Crawford

Glenn Ford

Glenn Ford

John Stroud

Julie Adams

Julie Adams

Beth Anders

Chill Wills

Chill Wills

John Gage

Hugh O'Brian

Hugh O'Brian

Lt. Lamar

Victor Jory

Victor Jory

Jess Wade

Neville Brand

Neville Brand

Dawes

John Daheim

John Daheim

Cavish

Court is in session

Put The Man from the Alamo on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Patience is part of the point.”

Duration becomes texture. The film asks you to inhabit its world instead of merely processing its plot.

The prosecution The Adrenaline Seeker

“A test of endurance, your honour.”

Stillness keeps submitting itself as meaning. At some point, contemplation needs something worth contemplating.