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The Bravados

The Bravados

Western · 1958

Jim Douglass arrives in the small town of Rio Arriba in order to witness the hanging of the four men he believes murdered his wife. When the convicts escape, Jim tracks them into Mexico, determined to see that justice is done. But the farther Jim goes in his quest for vengeance, the more merciless he becomes, losing himself in an unrelenting spiral of hatred and violence.

Movie details

The Bravados

“A Powerful Western Tale of Revenge and Redemption”

1958 Western 1h 38m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Jim Douglass arrives in the small town of Rio Arriba in order to witness the hanging of the four men he believes murdered his wife. When the convicts escape, Jim tracks them into Mexico, determined to see that justice is done. But the farther Jim goes in his quest for vengeance, the more merciless he becomes, losing himself in an unrelenting spiral of hatred and violence.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Bravados?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Dead Don't Hurt

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Names above the title

The people responsible.

Directed by

Henry King

Written by

Philip Yordan

Gregory Peck

Gregory Peck

Jim Douglass

Joan Collins

Joan Collins

Josefa Velarde

Stephen Boyd

Stephen Boyd

Bill Zachary

Albert Salmi

Albert Salmi

Ed Taylor

Henry Silva

Henry Silva

Lujan

K

Kathleen Gallant

Emma Steimmetz

Barry Coe

Barry Coe

Tom

Court is in session

Put The Bravados on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Patience is part of the point.”

Duration becomes texture. The film asks you to inhabit its world instead of merely processing its plot.

The prosecution The Adrenaline Seeker

“A test of endurance, your honour.”

Stillness keeps submitting itself as meaning. At some point, contemplation needs something worth contemplating.