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Dark Diamond

Dark Diamond

Crime · Drama · 2016

Pier Ulmann lives from hand-to-mouth in Paris, between construction work and petty theft that he commits on behalf of Rachid, his only “family”. But life catches up with him the day his father is found dead in the street after a long decline. The black sheep of a rich Antwerp family who deals in diamonds, he has left his son nothing, apart from the story of his banishment from the Ulmann family and a thirst for revenge.

Movie details

Dark Diamond

2016 Crime · Drama 1h 55m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Pier Ulmann lives from hand-to-mouth in Paris, between construction work and petty theft that he commits on behalf of Rachid, his only “family”. But life catches up with him the day his father is found dead in the street after a long decline. The black sheep of a rich Antwerp family who deals in diamonds, he has left his son nothing, apart from the story of his banishment from the Ulmann family and a thirst for revenge.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Dark Diamond?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Arthur Harari

Written by

Vincent Poymiro · Agnès Feuvre · Arthur Harari

Niels Schneider

Niels Schneider

Pier Ulmann

August Diehl

August Diehl

Gabi Ulmann

Hafed Benotman

Hafed Benotman

Rachid

Hans Peter Cloos

Hans Peter Cloos

Joseph Ulmann

Raphaële Godin

Raphaële Godin

Luisa

Raghunath Manet

Raghunath Manet

Vijay Sha Gopal

Jos Verbist

Jos Verbist

Rick De Vries

Court is in session

Put Dark Diamond on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.