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Heartless

Heartless

Fantasy · Horror · Thriller · 2010

Jamie Morgan is a troubled young man with a facial birthmark, which has left him isolated and fearful, hiding from the world outside. He lives in the East End, notorious for its violent hooded gangs. According to news reports, the gangs are now wearing demon masks. But, one night, after the murder of his mother, Jamie discovers the terrifying truth.

Movie details

Heartless

“The darker it gets the more you see.”

2010 Fantasy · Horror · Thriller 1h 54m

Critical arithmetic

The consensus, allegedly.

IMDb

5.9 / 10

10.6K votes

Rotten Tomatoes

76 %

Tomatometer

Metacritic

58 / 100

Metascore

TMDB

5.8 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Jamie Morgan is a troubled young man with a facial birthmark, which has left him isolated and fearful, hiding from the world outside. He lives in the East End, notorious for its violent hooded gangs. According to news reports, the gangs are now wearing demon masks. But, one night, after the murder of his mother, Jamie discovers the terrifying truth.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Heartless?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Philip Ridley

Written by

Philip Ridley

Jim Sturgess

Jim Sturgess

Jamie Morgan

Luke Treadaway

Luke Treadaway

Lee Morgan

Clémence Poésy

Clémence Poésy

Tia

Justin Salinger

Justin Salinger

Raymond Morgan

Fraser Ayres

Fraser Ayres

Vinnie

Noel Clarke

Noel Clarke

A.J.

Ruth Sheen

Ruth Sheen

Marion Morgan

Court is in session

Put Heartless on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.