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Red Beard

Red Beard

Drama · 1965

Aspiring to an easy job as personal physician to a wealthy family, Noboru Yasumoto is disappointed when his first post after medical school takes him to a small country clinic under the gruff doctor Red Beard. Yasumoto rebels in numerous ways, but Red Beard proves a wise and patient teacher. He gradually introduces his student to the unglamorous side of the profession, ultimately assigning him to care for a prostitute rescued from a local brothel.

Movie details

Red Beard

“What is the key to life - power, prestige or peace?”

1965 Drama 3h 5m

Critical arithmetic

One number, for now.

TMDB

8.2 / 10

Community rating

Aspiring to an easy job as personal physician to a wealthy family, Noboru Yasumoto is disappointed when his first post after medical school takes him to a small country clinic under the gruff doctor Red Beard. Yasumoto rebels in numerous ways, but Red Beard proves a wise and patient teacher. He gradually introduces his student to the unglamorous side of the profession, ultimately assigning him to care for a prostitute rescued from a local brothel.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Red Beard?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Akira Kurosawa

Written by

Akira Kurosawa · Hideo Oguni · Masato Ide · Ryuzo Kikushima

Toshirō Mifune

Toshirō Mifune

Dr. Kyojio Niide ("Red Beard")

Yūzō Kayama

Yūzō Kayama

Dr. Noboru Yasumoto

Tsutomu Yamazaki

Tsutomu Yamazaki

Sahachi

Reiko Dan

Reiko Dan

Osugi

Miyuki Kuwano

Miyuki Kuwano

Onaka

Kyōko Kagawa

Kyōko Kagawa

Madwoman ("The Mantis")

Tatsuyoshi Ehara

Tatsuyoshi Ehara

Genzô Tsugawa

Court is in session

Put Red Beard on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.