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The Geisha Boy

The Geisha Boy

Comedy · 1958

Gilbert Wooley is a second-rate magician who is sent to entertain the troops in the pacific. During his time in Japan he becomes attached to a little orphan boy.

Movie details

The Geisha Boy

“MORE THAN GREAT COMEDY HERE'S GREAT ENTERTAINMENT”

1958 Comedy 1h 38m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Gilbert Wooley is a second-rate magician who is sent to entertain the troops in the pacific. During his time in Japan he becomes attached to a little orphan boy.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Geisha Boy?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Three Stooges

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Bogus

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Animal Crackers

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Dennis the Menace

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Thunderstruck

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The Amazing Maurice

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Maurice is a streetwise ginger cat who comes up with a money-making scam by befriending a group of self-taught talking rats. When Maurice and the rodents meet a bookworm called Malicia, their little con soon goes down the drain.

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Names above the title

The people responsible.

Directed by

Frank Tashlin

Written by

Rudy Makoul · Frank Tashlin

Jerry Lewis

Jerry Lewis

Gilbert Wooley

Marie McDonald

Marie McDonald

Lola Livingston

Nobu McCarthy

Nobu McCarthy

Kimi Sikita

Sessue Hayakawa

Sessue Hayakawa

Mr. Sikita

Barton MacLane

Barton MacLane

Major Ridgley

R

Robert Hirano

Mitsuo Watanabe

Suzanne Pleshette

Suzanne Pleshette

Sergent Pearson

Court is in session

Put The Geisha Boy on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Big-Idea Head

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.