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Paris Can Wait

Paris Can Wait

Comedy · Drama · Romance · 2016

Anne is at a crossroads in her life. Long married to a successful, driven but inattentive movie producer, she unexpectedly finds herself taking a car trip from Cannes to Paris with Jacques, a business associate of her husband. What should be a seven-hour drive turns into a carefree two-day adventure replete with diversions involving picturesque sights, fine food and wine, humor, wisdom and romance - reawakening Anne's senses and giving her a new lust for life.

Movie details

Paris Can Wait

2016 Comedy · Drama · Romance 1h 32m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Anne is at a crossroads in her life. Long married to a successful, driven but inattentive movie producer, she unexpectedly finds herself taking a car trip from Cannes to Paris with Jacques, a business associate of her husband. What should be a seven-hour drive turns into a carefree two-day adventure replete with diversions involving picturesque sights, fine food and wine, humor, wisdom and romance - reawakening Anne's senses and giving her a new lust for life.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Paris Can Wait?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Eleanor Coppola

Written by

Eleanor Coppola

Diane Lane

Diane Lane

Anne Lockwood

Arnaud Viard

Arnaud Viard

Jacques Clement

Alec Baldwin

Alec Baldwin

Michael Lockwood

Elise Tielrooy

Elise Tielrooy

Martine

Élodie Navarre

Élodie Navarre

Carole

Serge Onteniente

Serge Onteniente

Mechanic

Pierre Cuq

Pierre Cuq

Philippe

Court is in session

Put Paris Can Wait on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.