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No manches, Frida

No manches, Frida

Comedy · 2016

After being released from prison, Zequi, a bank robber, sets out to recover money buried by his accomplice; but is horrified to learn that a high school gymnasium is now over the site where the loot is hidden.

Movie details

No manches, Frida

“The students are bad, the teachers are worse.”

2016 Comedy 1h 40m

Critical arithmetic

One number, for now.

TMDB

7.7 / 10

Community rating

After being released from prison, Zequi, a bank robber, sets out to recover money buried by his accomplice; but is horrified to learn that a high school gymnasium is now over the site where the loot is hidden.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over No manches, Frida?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

No manches, Frida 2: paraíso destruido

No manches, Frida 2: paraíso destruido

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Zequi and Lucy are about to get married. Although he promises not to overdo it during the bachelor party, things get out of control.

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Action · 1990

While doing the inventory for a lingerie outlet in a high rise office building, five attractive women are terrorized by a series of bizarre killings. They suspect that the strange janitor, who witnessed another series of killings six months previously, is at the bottom of the whole thing. Little do they know the real horror that they face in the end.

The Best Man Holiday

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Names above the title

The people responsible.

Directed by

Nacho G. Velilla

Written by

Claudio Herrera · Sergio Sánchez · Laurence Rosenthal

Omar Chaparro

Omar Chaparro

Ezequiel "Zequi" Alcántara

Martha Higareda

Martha Higareda

Miss Lucy

Fernanda Castillo

Fernanda Castillo

Caro

Carla Adell

Carla Adell

Laura

Regina Pavón

Regina Pavón

Monica

Karen Furlong

Karen Furlong

Nayeli

Rosanna Engel

Rosanna Engel

Tania

Court is in session

Put No manches, Frida on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.