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Light Sleeper

Light Sleeper

Drama · Crime · 1992

John LeTour is a recovering drug user who suffers insomnia and still deals to a high-end New York clientele, even though he’s trying to move on from the business. John’s professional midlife crisis becomes something more acute — and dangerous — when he re-encounters an old flame while a string of seemingly drug-related murders rocks the city.

Movie details

Light Sleeper

“He was a good man in a deadly business. She was his only way out.”

1992 Drama · Crime 1h 43m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

John LeTour is a recovering drug user who suffers insomnia and still deals to a high-end New York clientele, even though he’s trying to move on from the business. John’s professional midlife crisis becomes something more acute — and dangerous — when he re-encounters an old flame while a string of seemingly drug-related murders rocks the city.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Light Sleeper?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Paul Schrader

Written by

Paul Schrader

Willem Dafoe

Willem Dafoe

John LeTour

Susan Sarandon

Susan Sarandon

Ann

Dana Delany

Dana Delany

Marianne Jost

David Clennon

David Clennon

Robert

Mary Beth Hurt

Mary Beth Hurt

Teresa Aranow

Victor Garber

Victor Garber

Tis Brooke

Jane Adams

Jane Adams

Randi Jost

Court is in session

Put Light Sleeper on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.