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GoodFellas

GoodFellas

Drama · Crime · 1990

The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.

Movie details

GoodFellas

“Three decades of life in the mafia.”

1990 Drama · Crime 2h 25m

Critical arithmetic

One number, for now.

TMDB

8.5 / 10

Community rating

The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over GoodFellas?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Irishman

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The Valachi Papers

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When Joe Valachi has a price put on his head by Don Vito Genovese, he must take desperate steps to protect himself while in prison. An unsuccessful attempt to slit his throat puts him over the edge to break the sacred code of silence.

McVicar

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Donnie Brasco

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An FBI undercover agent infiltrates the mob and identifies more with the mafia life at the expense of his regular one.

Black Mass

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Names above the title

The people responsible.

Directed by

Martin Scorsese

Written by

Nicholas Pileggi · Martin Scorsese

Robert De Niro

Robert De Niro

James Conway

Ray Liotta

Ray Liotta

Henry Hill

Joe Pesci

Joe Pesci

Tommy DeVito

Lorraine Bracco

Lorraine Bracco

Karen Hill

Paul Sorvino

Paul Sorvino

Paul Cicero

Frank Sivero

Frank Sivero

Frankie Carbone

Tony Darrow

Tony Darrow

Sonny Bunz

Court is in session

Put GoodFellas on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.